Today marks the 75th anniversary of D-Day. In the early morning hours of June 6, 1944 the largest seaborne invasion in history began. Nearly 5000 landing craft carrying over 160,000 troops crossed the English Channel and landed in Normandy France. Allied casualties were over 10,000 men compared to 1,000 axis men. I am not a war monger, but I do have a great deal of respect and gratitude for the men that fought in this battle. I can’t imagine what it was like to step off a landing craft and straight into hell on earth. The reason we have the freedom to write/read blogs today is in part because of the men that fought for democracy.
I just found out that Leon Redbone died today. He was a very enigmatic man who was usually seen with a Panama hat and dark shades. He was often aloof and never gave his real age or any background information. A humorous statement on his website claimed he was 127 years old. He didn’t really have many hits, but he had a cult following that included a number of other performers. He had a Canadian connection since he moved to Toronto in the 1960’s and played the nightclubs.
5 Frosty The Snowman (with Dr. John)
4 Diddy Wa Diddy
3 Ain’t Misbehaving
2 Big Bad Bill (Is Sweet William Now)
Last but not least a video with Leon, Bryan Cranston, Ed McMahon and Alf.
Newsflash!!!!! Toronto Raptors have fired Drake partly for his stupid antics and mostly because his music sucks ass. The new team global ambassador is Maestro Fresh-Wes most famously known for this awesome song from 1989. Check out these lyrics and tell me why Maestro didn’t become a worldwide sensation.
This is a throw-down, a showdown
Hell no, i can’t slow down
It’s gonna go
“first offence,” “on the mix”
“down, go on and break”
“o.k. party people in the house”
“may i have your attention please”
“in a moment the beat will be played in many parts”
“come on and break”
“many parts, many”
“1”, “2”, “3”
“come on and break”
[maestro fresh wes]
This jam is amplified, so just glide (glide)
And let your backbone slide
You listen to every word i say
I every verb you heard i play snaps a vertabrae
You try to cover, a hover me, a roast, a fake,
A flag, then i run a post
Toast, i’m the most
D-e-f’s how it goes
No x’s or o’s or tic-tac-toes
Ltd knows, this ain’t a game, i’m on a mission
Call me a hip-hop, tip-tac-tition
I rap just like a slab of clay that’s shapeless
Jeff ain’t no shimmer, no glass is tasteless
A universe without light is lightless
That’s why i always take time to write this
I mold it in my hands before i start chiselin
Could be a rain, or brainstorm, or drizzlin
Sun could be shining, sun could be showerin
Practice make perfect, and i’m powerin, flowerin
My lyrics are awesome
Tunin’ from human, bloomin’ a blossom
Blowing away blockades and barracades
Make ya black and blue from the blast and the blaze
It’s a bloodsport, bloods builds up back
I make your vision go blurry
While your brain goes black into oblivion
Beats from box to box to bates
Rocks from blocks and blocks
Let your backbone slide
[maestro fresh wes]
Just let it slide y’all, i don’t give a (damn! damn)
If ya backbone quiver
Man oh man, watch ya swiver
Wind some twine your spine while your slither
It’s contagious, an epidemic
You try to lift, you’re cool, but it fell again
Rap scholar, soul like a dominican
But like i said before, i’m not american
[Lyrics from: https:/lyrics.az/maestro-fresh-wes/symphony-in-effect/let-your-backbone-slide-power-mix.html]
It’s who you are, not the way you went
We all originate from the same descent
I make alot of cents, sense, and pence
Gold (gold), myrrh and frakincense
When i’m in france they blow me francs
Frank, with your swiss account is the way i bank-pank
At home, i make bills are brown from my sound
In the states green like the grass in the ground
When i’m in england, they pass me pounds now
I clock cash in every town, so i slide (slide)
But nowadays, i’m trapped
So many suckers on my sacroiliac
It’s like a rap-sack, backpack
Give me some slack jack
Rap is like a jungle
Where rhyme for rhyme is like a vine to vine
Swung line to line of mine
I’m collossal, you’se a mosquito
I’mma play tarzan, you play cheetah
Cheeta, biter, love to forge
Better yet, i’ll call you curious george
’cause curiosty cold killed the cat
Can’t hide so black to the side
Let your backbone slide
[maestro fresh wes]
The keyword is synchronism
Yo, check out my homeboy dance to the rythmn
And hey, this hey, oh, this ain’t forte
I’m coming double-f
Fortissamo, f-f for funky fresh
My dj is ltd, mellow-flex
You listen to the poetry, big jumbo jet
Vocabulary golden, beats from my rollin
Stone cold lyrics with the microphone i’m holdin
Words i rip, egos i strip
I make sucker crews kick, dick van dyke flips
I get busy, they’re dizzy, they start to collide
They should’ve stepped off (stepped off), i let it slide
But now they got brasen, dry like a raisin
I glaze like a vase, i smash you like days
Until they realize, they shouldn’t have ripped
It’s ’89, not beetoven’s fifth or sixth
It’s a throwdown, i’m conducting it
Because like a highrise, i’m constructing it
Was once thoughts, pen, and paper
Now it’s a tower, a soul, a skyscraper
It’s getting out of hand after i’ve created a monster
My musical monologue makes you wanna
Move with the maestro
You feel hot so you set the blend, the cresendo is nice yo
I’m the guy, the rhythm is a ride (the rhythm is a ride)
To the fresh side, and let your backbone slide
This is a throwdown
This 12″ has 5 versions of the same song. The power mix, bonus beat, and acapella version are on Slide A. Club mix and instrumental are on Slide B.
Congrats Maestro and Let’s Go Raptors!!!!!
I just heard yesterday that Deane Cameron died of a heart attack while walking through the woods. Many people would not know who he was. He was only ever featured as a musician on 2 albums, Cochrane’s soundtrack album to the movie My Pleasure Is My Business, and the album I chose to review here. The reason I chose to mention Deane is that even though he may not have been on many recordings, he was an instrumental part of Canadian music for over 50 years. Deane worked his way up from a teenage job in the warehouse at EMI to the president of the company, a job he held for 25 years. Among the bands EMI signed under his direction were April Wine, Corey Hart, Tom Cochrane (his old friend from the Harvest and Cochrane days), Anne Murray, Buffy Sainte-Marie (he was a proponent of indigneous music in Canada before mostly anyone else), Glass Tiger, Stompin’ Tom Connors (Deane along with Rheostatics convinced Tom to come back to music after he retired), Rita MacNeil, The Moffatts, Helix, Econoline Crush, The Tea Party, Moist, Prism, Zappacosta, Luba, Nickelback, Serena Ryder and many others. In 2010 he was made a Member of the Order of Canada, and in 2011 the Canadian Academy of Recorded Arts and Sciences awarded him the Walt Grealis Special Achievement Award. More recently he had taken over as president and CEO of Massey Hall (of which he had been overseeing the massive renovation) and Roy Thomson Hall . He was great for Canadian music, and as it turns it, a pretty damn good drummer.
Hang On To Your Resistance – Jangly guitar sounds start this one off, then it morphs into a 70’s country rock feel good song. It has sort of a Jackson Browne feel. Deane has a breezy sort of jazz feel to his drumming. You can tell he was having fun while playing.
West Coast Saga – Great harmonies start this one off in the vein of a certain band The Dude hates. It almost pre-dates itself though as it has a certain late 70’s rock band feel. The guitar work is really great, the drumming airy and Tom Cochrane’s vocals are even higher pitched than we are used to.
Charlie Was A Dancer – Tom sings this one with a whispery softness that grips you. The vocal harmonies are wonderful and the quiet, but powerful guitar gets the point across.
Didn’t I Lorraine – This one seems like a timeless song that could fit into the 60’s (Byrds, Crosby Stills & Nash), the 80’s (REM), and the 90’s (Sloan, Blue Rodeo). It just shows that a really good song can fit into any era.
You’re Driving Me Crazy (Faith Healers) – This one has a Jackson Browne feel and the orchestral arrangement sets it apart from the normal 70’s songs. Tom Cochrane hits the high notes on this one very well.
I wish That I Could See You Now – Tom Cochrane’s voice sounds a little more like we are accustomed to here. Again the vocal harmonies are great and the instrumentation is really good too.
Revelations: Visions In A Dream – This one starts off like an early Yes song, then seems to turn into an early Red Rider song. I bet Tom used this song as a baseline years later for Don’t Fight It.
What’s In You – Dave Cooper (Ian Thomas Band) adds some sweet guitar licks. It has a southern rock feel and is a real toe tapper.
When I’m With You – A really nice number with guest Allan Booth contributing some amazing piano playing. As good as any Elton John or Billy Joel hit from back in the day.
Another Page – A quote from Youtube explains this song better than I can “WOW!! That was staggeringly fantastic. I’m blown away because i didn’t know anything existed from Tom before Red Rider’s debut in ’79. Tom was only 21 here in ’74. Wisdom, and maturity already. Very impressed with the entire album. Thank You!!!”
A really nice album. If you are a Tom Cochrane/Red Rider fan or a fan of great 70’s music, you owe it to yourself to seek this one out. R.I.P. Deane Cameron. We wish you well.
Big Wreck announced on their Facebook page that guitarist Brian Doherty has been fighting cancer for 9 months and it is now terminal. There is a Gofundme page for his family. For a tribute to him I thought I would review the lesser known 2nd album by the band. This album got less promotion, little fanfare and was the end of the original version of Big Wreck, as the band broke up shortly after it’s release. (When Ian & Brian re-formed the band in 2012, David Henning and Forrest Williams were not invited back)
Inhale – The only song I remember getting a sniff of airplay from this album. The music world had changed between In Loving Memory and this album. The Nickelbacks and NuMetal pan flashers had taken over. Both heavy and poppy at the same time. It has a driving beat and the guitars are smoothed over just a tiny bit to appease the masses. Still a very good song.
Undersold – Has a heavy Alice In Chains feel to it for the most part but I also get some early 90’s rap/rock bits thrown in. Wicked heavy guitar mixed with soft acoustic bits and cool harmonies.
Knee Deep – The guitar dominates this one, but the vocals and drums are pretty awesome.
Everything Is Fine – The song has a mix of trippy, almost sitar like Beatlesy psychedelia mixed with heavy grungy blues. Again, wonderful guitar and Ian’s voice is sublime.
All By Design – Has a Led Zep feel. Not enough for the Greta Van Fleet hate mongers to spew nonsense, but it is there. Brian was given music credits on the sleeve, so maybe he was the one that suggested to give the song a Zep feel. This song features backgound vocals by Daniel Greaves (Canadian band The Watchmen).
Mistake – This is one of the slower songs on the album, but the music is definitely heavy.
Ladylike – This one is an odd mix of what sounds like country banjo mixed with pounding bass and drums. Sometimes odd is good and when the amazing guitar gets mixed in we get great success. The solo here is wonderful.
The Pleasure And The Greed – The distorted guitar work accentuates a song that has the best of a number of mid 90’s alternative bands. Speaking of 90’s alternative bands, Daniel Greaves from The Watchmen is welcomed back here on background vocals.
No Fault – The first mellow song on the album. It has a bit of a Fool’s Overture(Supertramp) feel to it. Wait, I spoke too soon. It’s not mellow after the first minute.
Breakthrough – Wonderful slide guitar mixed with heavy ass riffs. How can I not love this one? Speaking of a breakthrough, this song also features background vocals by a pre-Alter Bridge/Slash gent named Myles Kennedy back when he was in a band called The Mayfield Four. This is an interesting note because both Myles and Ian Thornley were considered by Velvet Revolver for frontman at different times(Ian auditioned after Scott Weiland left but he would not be allowed to play guitar which was a deal breaker for him and Myles turned down an audition request before Scott joined the band because he was suffering from tinnitus and taking time off) and the 2 are now friends.
Ease My Mind – A bit more Zeppelenisque mixed with Scott Weiland meets ’40’s bluegrass. If you think you would like to hear this cool combo just as much as I do, proceed with ears wide open.
Broken Hands – This a some heavy mofo guitar playing. The broken hands likely sustained with power chords. Roughly in the last 1/3 of the song, the bass booms us into submission. Perhaps broken hands from trying to keep up the wall of sound.
Head In The Girl – TMI lads. No seriously, a driving beat that will have your head bobbing (In the girl?)
All Our Days Are Numbered – This one starts off like a metal song mixed with a country twanger. Then morphs with some sweet vocals and an amazing guitar solo.
West Virginia – This one begins off with the sweetest slide you’ve known since your days in the playground. It has chugging heavy guitar mixed with high pitched (but not to the point of being annoying) riffs. If this was what West Virginia was all about, I would visit more.
Defined By What We Steal – Ok. This is the first mellow song of the album. Although this one is not really that mellow, and it does get heavier part way though. It might be the weakest song here by a margin. I would have left this one off. It’s a shame that this song is the last one ever by the original band.
I went into this assuming that a 16 song album would be way too long. It would have way too much filler. I was wrong. It really is a solid, heavy album. Much heavier than anything Big Wreck has done before or since. 15/16 is a pretty damn good score. That would be 9.375/10. I will knock a bit off for the lack of info on the sleeve. Useless quotes and stupid pictures are not what this guy needs. I want the dirt. Who played what instrument and where. I will give most of those points back though for including Jeff Woods and George Stroumboulopoulus in the thank you credits. Those dudes are pretty cool Canucks.
FYC. Thanks for the wonderful guitar work Brian.
SPOILER ALERT – You may want to watch the movie first. Just be warned as I will be dishing The Dirt as it were.
Unfortunately (or fortunately, depending how you look at it) this movie was released shortly after the Queen movie Bohemian Rhapsody. I LOVED that movie. Perfect 10/10 from me. I saw it 3 times (I have never seen another movie more than once in the theatre) but I wanted to get the review perfect and life got in the way. By the time I was close to writing it, the movie had won a bunch of awards and was released on video. So I shelved it. The unfortunate thing is, this movie will be held up to a higher standard. The fortunate thing is that new fans that have never heard of Motley Crue may watch it. Partly due to the Queen movie, and partly due to the fact that it’s on Netflix (brilliant plan lads).
The movie begins with a scene on Sunset Strip and the apartment where the band lived. “The cops kicked down the door so many times we bolted it shut. People had to go in and out through the window”. I call bullshit. The lady water fountain scene in the living room of the apartment in front of a large crowd is probably bullshit as well.
The scene changes to Nikki Sixx back when he was a young Frank Ferrana Jr. His mom is portrayed by Kathryn Morris. She is an awesome actress that played on tv show Cold Case. She plays Nikki’s mom brilliantly here. She is so concerned about her one night stands that she has little left for her son. Nikki is mad that his mom blames him for the father leaving, so he cuts his arm with a knife and tells police it was his mom. He makes a deal that if she leaves him alone, he will tell the truth. He later makes his way to California and calls his real dad, who tells him to never call again. He legally changed his name to Nikki Sixx right after that.
The scenes next were of Nikki wearing a Metallica t shirt (probably before that band was formed), and the continuous flashing of the devil horns(probably before that was popular), and Tommy leaving home wearing his sisters pants (seemed to have been taken right from Bohemian Rhapsody). Tommy goes to see the band London. He meets Nikki in the Denny`s and Nikki tells him that London broke up. (I was sure I had read somewhere that Nikki Sixx sucked at playing an instrument before joining Crue. No mention of this in the film.) Tommy, Nikki and Greg Leon (who seems to struggle with the riffs Nikki wants him to play) reply to an ad in the paper for a ‘loud rude aggressive lead guitarist…’ and Mick Mars arrives. He instantly outshines Greg. Nikki then gets Mick to fire Greg. Nikki wants to find a lead singer that is in the mold of David Lee Roth. Tommy then brings Vince Neil on board and the rest is history. (There are missing former members/try outs such as Michael White, O`Dean Peterson and possibly others). They contemplate band names. Nikki tries X Mass. Tommy The Fourskins. Mick offers Motley Crew, which is changed to the name as we know it.
Elektra rep Tom Zutaut(who later signed Guns N Roses, Sloan etc.) appears to sign the band to a five album deal 30 seconds after meeting them (while refusing oral sex from a woman under the band’s table). I know it took a lot more than that to sign the band.
The next scene is Doc McGhee meeting the band at a party that also features David Lee Roth. Then Mick tells the audience that this didn’t actually happen this way and mentions how it sucks that Doug Thaylor was cut from the movie. This scene is one of the best in the movie as far as I am concerned.
Jump to hotel pool scene. The band is sitting around the pool and Ozzy yells out “Drinks are on me” while showing his bare ass(with money between his cheeks) to an old lady, then snorts ants and licks piss off the pool deck., and tells the band “Come here and have a talk with Uncle Ozzy” (If I had had Ozzy for an uncle, family reunions would have been wayyyyy cooler). Another great scene.
The band does not sugar coat the death of Hanoi Rocks drummer Razzle. As a car guy I have to point out that the car that Vince in the movie is a Corvette, but was actually a De Tomaso Pantera in real life. The scene in the car before the crash is pretty funny, although morbid. Vince asks “Who would you rather fuck? Cyndi Lauper or Boy George?” Razzle replies “How about neither” (The short stint Vince got in jail for vehicular manslaughter is a real joke, but since either he or the record company forked over $2 million, I guess money talks.)
The next scenes focus on Nikki strung out on heroin and listening to his mom on his voice mail. Then we see the daily routine of Tommy Lee on the road. Waking up chained to a bed, drink, meet radio dicks, go on stage, get stoned and drunk, go to strip joints, do stupid shit, get chained to bed, repeat. Doc allows Nikki’s mom to show up. She says “That song, Looks That Kill. It`s about me right”. Nikki freaks out and fires Doc. Nikki spirals out of control and for a guy who hates needles, I can hardly watch him injecting into any vein he can find. Nikki is strung out at Tommy’s wedding to Heather Locklear and causes a fight. He later overdoses and while one paramedic is about to call time of death, the other says “No that’s Nikki Fucking Sixx. He’s not gonna die in my ambulance” and gives him a shot of Noloxone into his chest, and Nikki lives. (This scene gives first responders a bad name, as if one life is worth more than another, but it was cool). Later Nikki convinces the band to go into rehab. The sober band records Dr. Feelgood and it becomes their first #1 album. While on the tour Vince and Tommy miss home and go back to drinking. Vince’s wife leaves him and he becomes unreliable. There is a funny scene in which Tommy wants to kick Vince out of the band. “It worked for Van Halen.” The scene shifts to Vince watching Van Halen on a tv interview. He takes the battery out of his phone and the band faxes him, ‘Get your ass over here.’ The band fights and Vince complains about the material (which turned into the self titled album, and that album rules so I have no idea) and quits the band.
Surprisingly the band do feature the John Corabi era. The band is interviewed and they mentioned they replaced Vince with someone better, and it’s about now and not the past. Vince is watching this in a bar and the bartender turns off the tv and says “Man they suck without you.” (There are a few scenes with Vince moping in a bar as if that is all he could do without Motley, even though he actually recorded solo albums)
The next scenes are about Vince’s daughter Skyler dying. I did tear up in this part. As a father of a young lady I can’t imagine losing her. I actually felt bad for Vince for the first time in my life. If a movie can make me care even a bit for Vince Neil, it really has done a good job.
The scene flips to Motley Crue before a concert in a mostly empty stadium and fans with ‘We Want Vince’ and ‘Bring Vince Back’ signs. My guess this was possibly true, but may have been more about the changing music scene. They may have been just as empty with Vince. It seems Corabi got the brunt of the blame here unjustly.
Nikki meets with Tom Zutaut and asks him to tell Elektra that the band will give up any money owed if the label will give them back their rights to the music and eventually it works. (Tom meets Nikki at the same table that they met at earlier and Tom mentions the woman under the table in their heyday. Nikki says “Not anymore”.
The band(minus John Corabi) meet with Vince and agree that the band is a family, and they want to get back together. Then the scene shifts to the final tour and some scrolling lines.
“All I can say is we fucking made it dude. I don’t know how we’re not dead or in jail. We shit on a lot of people and did things we regret everyday. But somehow we’re still here. In it together. That’s fate. That’s family, and that’s Motley Fucking Crue.”
The movie has its faults. It shows women in a bad light. There are a bunch of untruths, inaccuracies, and exaggerations. The casting left something to be desired, especially for the band members (unlike the amazing casting on Bohemian Rhapsody). Mick looks too good, and Vince is not nearly pretty enough. However, it did entertain me, made me feel bad for a douche bag, and included parts that the band seemed to have ignored. I am a fan of the band and have seen them a few times over the years. I had no ambition to see their final tour, but I really wanted to see this. It really is a pretty good flick. I say check it out and decide for yourself.
This is a post to explain my absence from the blogging world for quite some time. It’s eerily familiar to the original Sorry story (In all fairness, I did copy and paste that one here and changed some things). Here is a refresher.
It’s been 52 days since I posted anything here. I’ve been busy over the last few months with holidays, work, and family things. I have not been able to read many of my fellow bloggers posts/emails and I feel bad about that. I will hopefully be able to catch up. As well I have been organizing my 2nd concert. I learned a lot from the first one I did 2 years ago, but it still is tough, and takes up a lot of time.
Securing the bands – I wanted 4. I had 2 on board from the start. The other 2 were a problem. I probably reached out to 50 or 60 bands, but most had prior commitments, were working on a new album, or just couldn’t make it for whatever reason. The 3rd and 4th took tons of phone calls, emails, texts and Facebook messages. Ok 3. Not so fast. The 3rd band dragged their heels for weeks and finally backed out. Now I need to scramble and find 3 and 4. Luckily I do go to live shows. I saw a few more bands I liked and all of a sudden I had 4.
- Securing the venue – This was going to be easy. Just go back to the same venue as before. Not so fast. They wanted way more than last time. He said there was no way they would have let me rent the hall for that price. After he came down a bit I almost booked it, but he said he would check the old contract. He looked it up and I was right. He let me have the hall for the same price.
- Advertising – This is something that doesn’t magically happen. If you want your event advertised, you have to do it yourself. More emails, calls, Facebook posts, making posters, driving around and hanging posters(sometimes having to put them among dozens of others). Calling and emailing radio stations (some don’t post their info and this takes more digging) to see if they can promote your event. Between the last event and now, I have got a bit more social media savvy and added a few more twists. Plus asked the bands for freebies, and offered free tickets to people that liked/shared.
- The Sound Guy – I did not go with the last sound guy. He was pretty good, but when there was a problem he didn’t do much. Plus, his wife asked one of the bands for a free t shirt. (I put the thing on and did all that work, and never asked for a freebie.) He made money at the event and she did nothing. Why should she get a freebie. I tentatively hired a sound guy but when I asked him if he did work with bands he said “mostly jazz”. I want the sound to go to 11, not 5. The sound guy I finally hired had done a show I was at recently and the sound was awesome. The rumour is he did the sound on a Motorhead tour (this is pure rumour as I have not spoken to him about it, but I will).
There are more incidentals. My wife again offered to help sell tickets at the door(even though she has to work the next day). Anything to keep costs down. again, this was a hell of a lot more work than I thought it would be. I was sort of under the gun a bit due to the time constraints. I didn’t start this until the middle of January, and the event is this week, so only about 6 weeks. In that time I truly have been busy.
If you are anywhere near Kitchener, Ontario, Canada on Friday, March 8, 2019 stop in and hear 4 awesome doom/stoner/psych metal bands.
Hopefully this event goes off without a hitch. Maybe this will turn into an annual/semi annual event. Either way, the music will kick some serious ass, and in the end, that is all that matters.