This is an album I haven’t heard in a while. As a Canadian teen, I loved me some Helix. Not to mention they were from close to home (Kitchener, Ontario, Canada). I probably listened to this hundreds of times back in the day. Newer albums and life seemed to take over though. When Mike from the excellent site mikeladano.com mentioned he was doing a week of Canadian music, and asked if I wanted to do a collaboration, I thought this album would be one I would like to review. Also, I got to listen to it for the first time in years, so win/win. Mike also did a review of this album. Here is the link.
Wild In The Streets – Wait. Did I put the turntable on 45 by accident. Nope. That is the speed it is supposed to be on. Either Brent ‘Doctor’ Doerner is playing his guitar real fast, or the sound engineer is doing his magic and speeding up the tape just a bit. The drums kick in and they seem at normal speed. Maybe it is just my old ears. This song was c0-written by Ray Lyell, years before his band The Storm had a hit with Another Man’s Gun. This really is a great, kick ass, hair metal anthem. Now that I look back to my youth, I wish I would have cranked this every time I played ball hockey. Wild in the streets indeed.
Never Gonna Stop The Rock – Writing credit for this goes to members of the band FM. Sorry, Nash The Slash fans, this is the British band. I know nothing about them, but they wrote a decent song. Nothing spectacular, but not bad. Nice drum and guitar work. Lead vocals are good, but the background vocals sound kind of weird. Almost like there are 25 people in the band.
Dream On – Time for the obligatory 80’s power ballad. This one is far and away miles better than most out there. It is a cover of a Nazareth song, but just like they did with the A Foot in Coldwater song (Make Me Do) Anything You Want, Helix does a better job than the original. Not very often can a band sing a song better than the artist that first recorded it, but they do it twice. Bonus points for the Doctor playing a double neck guitar with surgical precision.
What Ya Bringin’ To The Party – Answer=Helix. Some great shredding start this song off, and Daryl Gray turns his bass amp up so we don`t forget he`s back there. This is a good rocker, with some normal background sounding vocals. More shredding in the middle help this song out a lot. Just a shade from being great. It`s really good.
High Voltage Kicks – Fuzzy, bluesy guitar set the start of this song apart from most hair metal songs. If I close my eyes I have visions of SRV or Jimi. As well Brian Vollmer’s vocals have a bit of CCR’s Midnight Special. I would actually have liked to have heard a full song with this style, but the pace picks up and we are back to hair metal. Not that this is a bad thing. It is right up Helix`s alley. I actually like both parts of this song. They do blend well together.
Give `Em Hell – Another decent rocker that has exceptional guitar work to help its cred out.
Shot Full Of Love – Really good shredding sounds emit from my speakers. `The gun was loaded and in her hand`, `She was squeezing the trigger, when it went bang`, and `shot full of love.` As Austin Powers would say, Oh Behave.
Love Hungry Eyes – More great guitar work start this song off. This is becoming a theme. The song itself is kind of a hair slower than I would like. The slower speed drags the song down. It seems a little sleepy. The background vocals sound good though, and of course there are more sweet guitar noises.
She`s Too Tough – This song was written by Joe Elliott of Def Leppard. It is nothing like the Foreigner song of the same name. No synthesizers here people. Just straight ahead rocking 80`s metal. Kicking ass and taking names. Awesome guitar work, and a scream that has kind of a Rob Halford flavour (Oh behave). Drums pound, bass booming. This song does sound like the style of early Def Leppard. Perhaps DL had already gone a little more radio friendly and this song did not fit in. It finally got released as a b side in 1992, but sounds more like 1982 to me.
Kiss It Goodbye – I find it very disconcerting that when I put this title into youtube it shows me Nickelback, Miley Cyrus and Chipmunks versions. However, no Helix. What is this world coming to. Then if I add Helix to the search, it shows some dude spinning his butterfly knife. Again, wtf. Anyway, this song begins with some spacey effects that blend into pounding drums and shredding guitar. Brian Vollmer`s voice almost has a Bon Scott quality to it here. He has that raw, pissed off attitude that Bon had in spades. Telling us to `just bend over, kiss your ass goodbye` furthers that attitude. The guitar work here is awesome, the drumming top notch, and the background vocals blend in nicely. Great song to end the album.
I really enjoyed listening to this album again. Thank you Mike for forcing me to focus and pick out details I might have otherwise missed. I think I enjoy this album as much, or more than I did back in the day.
One thing I am actually upset with Helix about is the piss poor job they did on the liner notes. There were a ton of very talented people involved with the making of this album, but I have no way of knowing just where they helped out. Don Airey, Sam Reid, Darryl Gray play keyboards. Mickey Curry, Brian Doerner, Mathew Frennette, Greg “Fritz“ Hinz play drums. Brent Doerner and Paul Hackman (RIP) play guitar. Brian Vollmer-vocals. I just wish I could tell who played what, on which song. I always like to research the players and listen for their parts. Guys like Don Airey, for example, have played with the best. They deserve more respect than that, and so do we.
Other than the credits I’m pretty happy about this record. I think it deserves more respect. It never made it big outside of Canada, and the band was subsequently dropped from the label. But who cares. It is a really good record that should have done better than it did.
9/10
I just commented over at Mike’s that I quite like what I’ve heard of Helix. Not a band I’d heard of until Mike’s reviews a while back, but I keep my eyes peeled when I’m out and about and online. This might not be one I’d listen to often on account of the typical production shenanigans of the time, though.
… and it always bothers me when there’s no specific credits. Nice to know who plays on an album, but like you I like to know what they played.
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I also hated the 90’s trend of bands listing their band members by fistt name or just one letter.
Then some of them fade into obscurity, and I can’t find out who they were, and what else they did.
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A lot of those folks are sitting at home or working in a Cinnabon thinking “no one ever looks me up”.
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Nice review man! 9/10 is a pretty damn respectable score. Would be nice to have more specific credits. For some reason, Helix have never done this. I do not know why!
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I never noticed it before, as I just enjoyed the tunes and didn’t get as detailed.
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That story of the Helix cd search is incredible. It seems very strange that a band from Kitchener, that sold millions, does not have a ton of cd’s available in their home town.
Perhaps being from Kitchener is the reason. Mel Brown stuff is also near impossible to find, and when it does show up it is super expensive.
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It has to have been some yahoo at the label who didn’t do their job correctly? Surely someone knows how to get stuff out there, by now, right? Wow.
Agreed, I’ve never seen a Mel Brown CD in all of my travels! If I did, I would sure as hell buy it. We saw him open for B.B. King, and he was awesome!
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This came close to the start of the CD age and was Helix’s first CD. By comparison there were lots more copies out there on tape and LP. CD, not many were made comparatively.
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The thing about looking for used music is someone has to turn it in. I know from experience that metal fans hold onto their stuff forever.
I will not turn in my metal music. Everrrrr
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Yes though this is easy to find on LP since many thousands of those were made and sold.
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The same for my blues, punk and most of my rock.
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Correct me if I’m wrong, but cd’s were more expensive early on, and not many people had cd players as they were super expensive early on too.
The first cd player I bought, had to be bought in conjunction with my first cd’s. Led Zep boxset.
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Yeah you could easily pay $25 for the CD and I only knew one person with a player in 1987.
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That’s a good point, Mike. I didn’t consider that but it makes sense. And if you did find a CD at the time, it would have been silly expensive compared to today’s prices!
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late 80’s into the 90’s many people were getting rid of all their records and buying the same albums on cd. Just like today when people get rid of old albums and buy the 180g remastered. Therefore the vinyl versions were more plentiful and the cd’s were so expensive to buy new, and it was a good album. Therefore the demand was high for a used one, but the supply was low because no one wanted to trade it in.
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Not to mention, I think Wild in the Streets was deleted around 1991ish. Anyway it was deleted. Most of the Capital Records catalogue was deleted by the mid 90’s. You couldn’t just buy Wild in the Streets.
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I may do a grail list. Mel Brown will be there for sure.
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May as well!
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It might be worth it to travel back in time, just to kick the guy in the nuts that deleted all of that stuff.
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I’m sure on the balance sheet it made sense. But as a fan, it was mortifying. And it’s not like Helix were the only ones. Try finding early White Lion in 1995.
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If you wanted to find early White Lion in 1995, you had to Wait.
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Look at this guy! Who are you! Aaron reborn!
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That is either Aaron JR. or Aaron Light
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Hooray for collaboration posts! And this is a solid one, excellent write up Bop!
I agree, this is a great record that I really enjoyed too. Mike gave me my copy waaay back in 2013! I wrote about it:
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Community. Yayyy.
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Yes!!! COMMUNITY!! I love the sharing, it’s awesome.Speaking of which, something for you into the mail today! 🙂
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I hope if it’s Anthrax, that it is the band.
😉
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Nice Bop. total 9/10 for sure…the production never bothered me at all ….the songs were all good even the typical power ballad …this album should have elevated Helix in the U.S but more people in 87 were to busy watching that Crazy Cougar Slide all over that old Focker Coverdale and his Snake Car! Power of video!
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I know MTV ruled in the USA back in 1987. Who knows. Maybe cash had to change hands, palms had to be greased to get a band on MTV. I liked Helix, but I also like the old Whitesnake too.
We can have both MTV people. We can handle it.
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Read the book I Want My MTV….it was all about the payola! Great friggin read!
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‘We gotta install microwave ovens.’
I will be on the lookout for this book
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Yo!
Here’s a thumb up from Sweden.
Great review, man, I totally agree with everything you wrote here.
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HEYYYY!!! My first Swedish visitor, and I didn’t even clean the place. Welcome. Glad we agreed on this album. Nice to see you listening to some Canadian music half way around the world. Tell me about some Swedish bands I may not know of to check out. I like hard rock, stoner, sludge, 80’s, prog, NWOBHM, blues, folk, funk, punk. I have a wide range of music I like.
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I’m kind of pissed about not being able to listen to kiss it good-bye by Helix anymore it was an awesome song n I miss hearing it
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Rock Candy remastered this album in 2011.
One way to re-listen to it.
Cheers.
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